17 June 2008

Cat Power - Jukebox

Jukebox (2008, Matador) Cat Power's eighth studio album. ****

Chan Marshall has always been an enigma in the music community. Her raspy, deep voice, her strange performance at concerts, etc. Either way, she's had her fair share of brilliant moments and miserable misses, but thankfully Jukebox is a hit.

This is not the first time Marshall has done a covers album. In fact, she was brave enough to tackle "Satisfaction" by the Rolling Stones, a song successfully covered by only one band before her (Devo, in case you're wondering). On Jukebox, Marshall again displays her eclectic taste in music, tearing each song down and giving it a new structure, a new sound, and most importantly, a new view. She opens by covering Frank Sinatra's "New York," with a slow drum easing the song off. It's a brooding affair, certainly Chan's style and a complete opposite of the uplifting version we know from Frank too well. It isn't a bad cover, rather, it's just strange, almost unrecognizeable. It begs the question of why she even bothered to cover it when she could have written her own lyrics. Only a few tracks make you ask that question, as many of these are excellently done, most notably George Jackson's "Aretha, Sing One For Me." The soft keyboards and Hammond organ accompany Marshall's voice, with a soft bouncy and soulful yet eloquent keyboard line.

The same style is applied to James Brown's "Lost Someone," a very risky choice. This cut is more mellow than "Aretha," but Marshall's strutting vocals make it a sincere moment. She also manages to work in a cleverly executed Dylan cut, "I Believe in You." The tempo is slowed and adds an echoing guitar riff. These and all the songs are fairly minimalist, and all are turned into flok, blues, or jazz-leaning renderings. It isn't a perfect way to do things, in fact, cuts like "Metal Heart" could have been left in the studio. I'd be interested to see if Marshall took any clues from Vanilla Fudge's self-titled debut, an album that consisted solely of covers, all brilliantly done. If she hasn't, she might want to brush up on them to see masters in action (Aretha, Sing One For Me, Lost Someone, I Believe in You, Song For Bobby).

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